剧情简介
《雕像(⛲)也会死亡(📼)》（Les statues meurent aussi，阿兰(lán )(🗼)·雷(léi )乃(nǎi )、克里斯·马尔凯，1953年出品，27分(🔸)钟）尖锐地批评了(le )西方(🙍)殖民主义(yì )对非洲(zhōu )传统(tǒng )艺(🕌)术的戕害以(🥞)及自称热(rè )爱(🙁)非洲(zhōu )艺(yì )(🖍)术(🚑)的(de )上等阶(🤯)层的贪婪与伪(wěi )(⏺)善。本片的主角是来自黑(🛑)非洲(😞)的人(🔢)物雕像、面具和(hé )其(🥎)他(tā )非(fēi )洲艺术(📙)品，但是它们(men )的演出场所并非黑人的故乡，而(⛏)是白人(👃)的欧(ōu )(🔔)洲(zhōu )(🚻)，艺术品(pǐn )市场和艺术品拍卖会是(shì )它(🚴)们频频出没和滞留的中(zhōng )转地。这些本来被非(fēi )洲部族(🦇)用来抵(➡)抗死(sǐ )亡(🌹)的(de )面具和(🥋)雕像，如今却呆在博物馆的橱窗里静静地(dì )死(sǐ )去。此时，画外音告(💏)诉(📸)我们：(👵)“当人死去的时候，他便进(jìn )(🌂)入了(le )历史；(🆙)当这(zhè )(🔫)些雕像死去的时候，它(🍁)们进入(rù )了艺术；(📤)这种关于死亡的(de )学(xué )问(wèn )，我们(❓)最后称之为(🎴)文(😉)化(huà )。”由于本片具有鲜明而(ér )强烈(🐈)的社(🍯)会(huì )批判意识，自(zì )(🐱)拍(🖱)竣(jun4 )之日起即遭到(dào )法国(guó )政(zhèng )府禁映(yìng )，直到1963年才(cái )(🏗)解(jiě )禁。本(běn )片由长(🎆)于(⛎)剪辑(jí )的阿兰·雷乃(nǎi )(😼)操刀剪辑，由(🏁)强于写作(⏭)的克(😄)里斯·马尔凯(kǎi )撰(zhuàn )写解说，充分发挥了两(liǎng )人(🎇)各自(zì )的强项(🔰)，可谓强(qiáng )(📳)强合作的结晶。
(🔡) This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
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