剧情简介
苏利曼(⛲)和“苏(🥇)丹电影俱乐部(bù )”的另外三(sān )名(míng )成员(🔱)决定(🤢)重振一家旧(🎗)电(diàn )影(yǐng )(🆖)院。他们不仅因为对电影的(de )(😧)热爱(📿)和对(👋)恢复旧电(diàn )影存量、再次(🚤)关注苏丹(dān )电影(yǐng )历史的(de )强烈渴望(wàng )而团结(💆)在一起，而且因为他们都(📞)曾在流放(fàng )(🗑)中接受过电影教(jiāo )(🖍)育。不知(zhī )(🕕)疲倦地，他们(men )试(⏺)图让影院(🧚)老板站在他们一(🛑)边(biān )，让(🖲)这(🔢)个地方重新运作(zuò )起来，但(dàn )(🗞)他们一再发现自己遭到了相(㊙)当(dāng )大的阻力(⛓)。同时，他们坐在一起谈论过去——包括(kuò )他们作为(🥕)对立艺术家遭(🤖)受迫(pò )(🕯)害甚(shèn )至折(🤘)磨的经历。他们还朗读流亡和梦(mèng )想苏丹时写的旧信，在(🥋)那里(lǐ )艺术和智力思(sī )想(🐩)可以(😝)自(🔈)由(🏒)。“我们(🐡)比(bǐ )他(🤔)们聪(🔍)明(míng )，但不如他们强(📸)大，”他们一致总结了(le )(🔞)他们(🚲)的(de )处境。正是(shì )在这(zhè )些简洁的时刻，观众才(cái )能(néng )够感(gǎn )(🔲)知到友谊(yì )(👗)，以及在为共同理想而斗(🧘)争(zhēng )中(zhōng )存(cún )在的纽带和意识形态的团(tuán )结(jié )。
(🐈)苏哈伊布·(💕)加斯(🚪)梅尔巴(bā )(🖱)里把苏(sū )丹电影的(✒)历史放在影片的中心(xīn )，同时也揭示了(le )一个受(shòu )到持续危机(🏖)影响的国家的现状(🔮)
(😻)Suliman and three further members of the ‘Sudanese Film Club’(😕) have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’(🈁)s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.
Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
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