一直作為米路斯.科曼劇本鐵三角(jiǎo )((😘)另(🕟)一位是(shì )帕培錫(xī ),也(🎺)是(🔧)本(🎗)片編劇之(zhī )(🐉)一)成員的(de )艾雲.巴薩,當然(rán )也走低度戲劇路線。同(tóng )是音(yīn )樂(lè )家的彼德與卡洛老(lǎo )友重(🕖)逢,生活狀況(kuàng )大不(bú )同,你(nǐ )(🚥)有伴侶(🛺)我有(yǒu )家庭(tíng )(🥞),然而都有(yǒu )說(😻)不出的不(🐶)明朗,唯有(yǒu )以(yǐ )酒與音樂代替(tì )口水(🚣)。全片推展不問目的(de )(🖲),只在(zài )剎(🦗)那(🌑)間(🎛)的意(yì )圖,行行企企比(🔝)起科曼(màn )更(🙌)義(yì )無反顧,卻有生(shēng )活淡如流(liú )水的詩(⛏)意和繆思,叫觀眾聯想到二十年後(hòu )(🤳)的伊(yī )力.盧馬。巴薩鍾愛(🌮)音樂的程度不下於文(🏉)字和電(👊)影,古典音樂與(yǔ )民(➡)間音樂於全片迴(🥋)轉迴盪(dàng ),難怪成了(le )奇斯洛(😝)夫斯(sī )(🏒)基十(shí )(💿)大心愛電(🤔)影之(🔍)一。
康(kāng )(🏃)城影展青年評(🌂)審(shěn )團獎(👄),美(🆙)國全國(💣)影(yǐng )評人協(📞)會特(tè )別(bié )獎(jiǎng )
(👗) (🎦)
這部1966年的珍品,是(shì )捷克(🚩)新浪(làng )潮短暫生命中最佳(👅)作品之一(yī )。成名(míng )音樂家到小鎮探訪(😲)舊(jiù )同學,舊同學(xué )是個窮音(yīn )樂(lè )教(🚓)師(shī ),有時在喪(sàng )禮上(🗒)吹奏樂曲。平凡的素材在巴(bā )素手裡(🔮),變出(🔝)風趣復罕(hǎn )見的(⏭)旋律,一(🐑)部憂(yōu )鬱的喜(xǐ )劇,或灰色(sè )喜(📸)劇(🌲)。
(🍐) - Dave Kehr, Chicago Reader
Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.
(🌕)
Special Award, National Society of Film Critics Awards
Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.
(🈴) - Elliott Stein, Village Voice
(📏)
Source: HKIFF Czech New Wave 2006
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