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一直(zhí )作為(wéi )米路斯(sī )．科曼劇本鐵(🌰)三(sān )(🃏)角(🕋)（另一位是帕培錫，也是本片編劇之(🐉)一）成員的艾(ài )雲(🐮)．巴薩，當然(rán )也走(⏬)低度戲(xì )劇路線。同是音樂家(🐿)的(de )彼德(dé )(👑)與卡(kǎ )洛老友重(chóng )(🕖)逢，生活狀(✳)況(kuàng )大不(🛹)同，你有(yǒu )伴(🕌)侶我有(🎿)家庭，然(😚)而都有說(😻)不(bú )(🚸)出(chū )的不(bú )明朗(🕕)，唯有以酒與音樂代替口水(shuǐ )(🚣)。全片推(tuī )展不問目的(de )，只在剎那間的意圖(tú )，行行企企(📙)比起科(kē )曼更義無反顧，卻有(yǒu )生(🙉)活淡(dàn )如流水的詩意和(hé )繆思，叫觀眾聯想到二十年後(🤳)的伊力．盧(lú )馬(🚴)。巴薩(sà )鍾愛音樂的程(🈁)度不下於文(wén )字(🥊)和電影(🛎)，古典音(🦇)樂與(🈸)民間音樂於全片迴轉迴盪(🌪)，難(nán )怪成了(📟)奇斯洛夫斯基十大心(xīn )(🐡)愛電影之一。
康城影展(zhǎn )青年(🔎)評審團(tuán )獎(jiǎng )(👄)，美(🆙)國全(🔫)國影(🔥)評(🚡)人協(xié )(📞)會(huì )(⏳)特(tè )別獎
這(⏺)部(bù )1966年的珍(zhēn )品(pǐn )，是捷克新浪(⛴)潮短暫生(🈺)命中最佳作品之(zhī )一。成名音(yīn )樂(lè )家(🐌)到小鎮(zhèn )探訪舊同(⛅)學，舊同學是(shì )個窮音(yīn )樂(🎞)教(jiāo )(🚓)師，有(yǒu )時在喪(sàng )禮上吹奏(🐣)樂曲(🎁)。平(⛎)凡的素材在巴素(👔)手裡，變(♟)出風(fēng )趣復罕見的旋律(😄)，一部憂鬱的喜劇，或灰色喜劇。
- Dave Kehr, Chicago Reader
Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends –(❔) musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.
Special Award, National Society of Film Critics Awards
(💈)
Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.
(🈴) - Elliott Stein, Village Voice
Source: HKIFF Czech New Wave 2006
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