剧情简介
2018年5月和(hé )6月(yuè )，Jean Gabriel P_Riot与(🐉)位于(🌰)Ivry Sur Seine的(🎏)一所高中的10名电影班学生合作(🤷)，开展了(le )一(yī )项(xiàng )将电(diàn )影与(yǔ )政治(zhì )结(jié )合起来的项(🛺)目。学(xué )生们在(zài )摄像机前和摄像机(jī )后工作(zuò )，重新(xīn )(🤷)布置(zhì )罢工、抵抗和劳(láo )(🔩)资(zī )(🥁)纠(jiū )纷(fēn )的(🚨)场景，这些电影可以追(🎛)溯到20世纪60年代(dài )末到70年(🤸)代末(🙄)，包(bāo )括让-卢克-戈达尔和阿兰(👃)-坦纳(🚻)的电影(yǐng )。nos d_faites汇(huì )集了调查结果(🤘)，并(❕)增(💝)加了采(cǎi )访(fǎng )，在采访中，导演询(🈸)问学生他(🌹)们(⛏)刚(🐨)刚表演(yǎn )的场景，关于“阶级”、“工会”和(🐡)“政(🤔)治(zhì )参与(yǔ )”等(⏲)概念，以及更广泛的社会背景。这是(shì )一个简(jiǎn )单(dān )，但尖锐(🐖)的设置(zhì )，让观众一瞥(piē )年轻(qīng )一代如何(👛)看待政治(🎦)和过去的政治(zhì )电影(⏺)。这部影片还记(jì )录了导演试图激(jī )怒学生的企图。在导(👅)演和学生似(🔍)乎处(💕)于(yú )平等地位的遭遇中，基于(✒)从未(🈸)见过的导演(yǎn )更多类似于老(lǎo )师(🔍)的提(🍉)问，以及此时(shí )此刻对(🍝)革命的思(🏗)考：起义的表现(🦐)反映了同样的(🍗)情况。这(🖥)会导(dǎo )致(zhì )一个真实的发生(📸)吗(🌲)？
In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’(😼)ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回到1968年(nián )的电影(⤵)时(🆚)代(🏴)，继续对重(🦃)放(➗)从过(guò )去跳出来的(de )电影节选的年(➡)轻(qīng )人进(🍞)行今天的(de )采访(✏)，我们(men )(🈳)的失败描(miáo )绘(huì )了我(wǒ )们当(🤱)前与政治的关(🏥)系。我们的(🤑)失(shī )败，还是我们(🌉)有足够的力量(liàng )来(lái )面(miàn )对今(jīn )(🤦)天的(🖤)混乱？
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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