剧情简介
2018年5月和(📒)6月，Jean Gabriel P_Riot与位(🛤)于Ivry Sur Seine的一所高(🏇)中(zhōng )(♑)的10名(🖲)电(diàn )影班学(🔸)生合作(zuò )，开(kāi )展(zhǎn )了(🕖)一(yī )项(xiàng )将电影(yǐng )与政治结合起来的项目。学生们在摄(🍮)像机(jī )前和(🚸)摄像机后工(gōng )作，重新布(bù )置罢工(gōng )、抵抗和劳资纠纷的场(🛑)景，这(zhè )些电(❔)影可以(yǐ )追溯到20世纪60年代(✋)末(mò )到70年代(dài )末，包括让-卢克-戈(gē )达尔(ěr )和阿(🤷)兰-坦纳(🚻)的电影(yǐng )。nos d_faites汇集了(le )调查结果，并增加了采访，在采(cǎi )访(💍)中(🚗)，导演询(🈸)问(➡)学生他们刚刚(gāng )表演的场景，关(🚶)于“阶级”、“工会(huì )(💿)”和“政治参与(😙)”等(děng )概念，以(💏)及更广泛的(♌)社会背景(jǐng )。这是(🏴)一个简单(dān )，但尖(jiān )锐(ruì )的设(shè )置(zhì )(🔫)，让观众(🌸)一(yī )瞥年(🏓)轻(🚽)一(yī )代(dài )(🍁)如何看(kàn )待(dài )政(👗)治(🎦)和过去的政治(zhì )电(diàn )影(⏺)。这部(bù )影(yǐng )片还记(jì )(✖)录了(💑)导(dǎo )演试(🚤)图(tú )(🚩)激怒(⛴)学生的企图。在导演和学(🔬)生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师(🔍)的(🏗)提问，以及此时此(⛎)刻对(🍝)革命的(🕌)思考：(😼)起义的(♟)表现反映了同样的(de )情况。这会导致一(yī )(👧)个真实的发生吗(🌲)？
In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’(🍰)s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
(🥤)回到1968年(🚏)的电影(yǐng )时代，继(jì )续(xù )对重放(fàng )从过去跳(🥈)出来的电影节(🈲)选的年(nián )轻人(📏)进行今天的采(cǎi )(😠)访，我们(men )的失败描绘了我们(men )当(dāng )前与政治(zhì )的关系(🧑)。我们的失败，还是我们有(yǒu )足够的力(📆)量来面(miàn )对(👳)今(🤦)天的混乱？
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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